Many-Valued Aesthetics: Interconnections in the Work of Mary Bauermeister

Ohls, Hauke

[monograph]

dc.contributor.author	Ohls, Hauke	de
dc.date.accessioned	2024-08-09T11:15:48Z
dc.date.available	2024-08-09T11:15:48Z
dc.date.issued	2024	de
dc.identifier.isbn	978-3-8394-7368-9	de
dc.identifier.issn	2702-9557	de
dc.identifier.uri	https://www.ssoar.info/ssoar/handle/document/95874
dc.description.abstract	"Yes, No, Perhaps" are the most written words in Mary Bauermeister's artworks. Together they stand for the concept of many-valued aesthetics in the German artist's oeuvre - an aesthetic that Bauermeister developed using many-valued logic. Hauke Ohls brings the artist's central groups of works in context with each other as well as with the neo-avant-garde of the post-war period in Europe and the USA. He shows that the development of Bauermeister's art may appear disparate, but her canvas and relief works, drawings and writing pictures, lens boxes and stone pictures are characterized by a reciprocal relationship of combinations and interconnections. Through the ubiquitous use of meta-references, the entire oeuvre ultimately appears as an interconnected assemblage.	de
dc.language	en	de
dc.publisher	transcript Verlag	de
dc.subject.ddc	Philosophie	de
dc.subject.ddc	Philosophy	en
dc.subject.other	Mary Bauermeister; Many-Valued Aesthetics; Postwar Art; Assemblage; Female Art History; Art History of the 20th Century	de
dc.title	Many-Valued Aesthetics: Interconnections in the Work of Mary Bauermeister	de
dc.description.review	begutachtet	de
dc.description.review	reviewed	en
dc.identifier.url	https://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839473689.pdf	de
dc.source.volume	249	de
dc.publisher.country	DEU	de
dc.publisher.city	Bielefeld	de
dc.source.series	Image
dc.subject.classoz	sonstige Geisteswissenschaften	de
dc.subject.classoz	Other Fields of Humanities	en
dc.subject.thesoz	Kultur	de
dc.subject.thesoz	culture	en
dc.subject.thesoz	Ästhetik	de
dc.subject.thesoz	aesthetics	en
dc.subject.thesoz	Kunst	de
dc.subject.thesoz	art	en
dc.subject.thesoz	Kunstgeschichte	de
dc.subject.thesoz	art history	en
dc.subject.thesoz	bildende Kunst	de
dc.subject.thesoz	fine arts	en
dc.subject.thesoz	20. Jahrhundert	de
dc.subject.thesoz	twentieth century	en
dc.identifier.urn	urn:nbn:de:0168-ssoar-95874-6
dc.rights.licence	Creative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0	de
dc.rights.licence	Creative Commons - Attribution-ShareAlike 4.0	en
ssoar.contributor.institution	transcript Verlag	de
internal.status	formal und inhaltlich fertig erschlossen	de
internal.identifier.thesoz	10035153
internal.identifier.thesoz	10034653
internal.identifier.thesoz	10039299
internal.identifier.thesoz	10045216
internal.identifier.thesoz	10039298
internal.identifier.thesoz	10063150
dc.type.stock	monograph	de
dc.type.document	Monographie	de
dc.type.document	monograph	en
dc.source.pageinfo	305	de
internal.identifier.classoz	39900
internal.identifier.document	20
internal.identifier.ddc	100
dc.identifier.doi	https://doi.org/10.14361/9783839473689	de
dc.description.pubstatus	Veröffentlichungsversion	de
dc.description.pubstatus	Published Version	en
internal.identifier.licence	24
internal.identifier.pubstatus	1
internal.identifier.review	2
internal.identifier.series	739
internal.dda.reference	xmlxslt-bundlessource-359@@10039-9783839473689

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