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Nicht einmal Harmonie ist harmlos: Warum Dokumentarfilme so oft von menschlicher Verletzlichkeit, Gefährdung und Leid handeln
[journal article]

dc.contributor.authorDill-Riaz, Shaheende
dc.contributor.authorChakkarath, Pradeepde
dc.date.accessioned2024-07-04T14:31:15Z
dc.date.available2024-07-04T14:31:15Z
dc.date.issued2023de
dc.identifier.issn2940-3073de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/94913
dc.description.abstractIn the following pages, we - a documentary filmmaker and a cultural psychologist - share some of the thoughts that we have been concerned with since we started thinking together about some issues that are as much on the minds of the filmmaker as they are on the minds of the scientist. On the one hand, this is our way of encouraging scientific research on the harmful aspects of life to open up to alternative perspectives, methods of exploration, data collection, and documentation that are often considered vague and blurry or even unscientific; this is due to established, almost scholastic demarcations that make it difficult to gain broader insights into complex and interrelated phenomena such as violence, aggression, repression, malice, fear, despair, etc. In addition, we would like to make sensitive to the fact that those phenomena that usually interest conventional research on violence the most - for example wars, genocides, mass killings, rampages, and rapes - have their breeding grounds which are still waiting to be explored and conceptualised more thoroughly. An exchange between social scientists and documentary filmmakers serves as just one of many examples of how a more thorough exploration of our fragile existence could benefit from interdisciplinary and interprofessional cooperation and resulting insights.de
dc.languageende
dc.subject.ddcPsychologiede
dc.subject.ddcPsychologyen
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.otherinterdisciplinary research; victims experiencede
dc.titleThere Is harm even in harmony: On why documentaries so often are about human vulnerability, harm, and sufferingde
dc.title.alternativeNicht einmal Harmonie ist harmlos: Warum Dokumentarfilme so oft von menschlicher Verletzlichkeit, Gefährdung und Leid handelnde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.source.journalHARM - Journal of Hostility, Aggression, Repression, and Malice
dc.publisher.countryDEUde
dc.source.issue1de
dc.subject.classozSozialpsychologiede
dc.subject.classozSocial Psychologyen
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.thesozDokumentarfilmde
dc.subject.thesozdocumentary filmen
dc.subject.thesozGewaltde
dc.subject.thesozviolenceen
dc.subject.thesozAggressionde
dc.subject.thesozaggressionen
dc.rights.licenceDigital Peer Publishing Licence - Basismodulde
dc.rights.licenceBasic Digital Peer Publishing Licenceen
ssoar.contributor.institutionRuhr-Universität Bochumde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10041223
internal.identifier.thesoz10034720
internal.identifier.thesoz10034719
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo31-41de
internal.identifier.classoz10706
internal.identifier.classoz10216
internal.identifier.journal3082
internal.identifier.document32
internal.identifier.ddc150
internal.identifier.ddc301
dc.identifier.doihttps://doi.org/10.46586/harm.2023.10730de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence4
internal.identifier.pubstatus1
internal.identifier.review2
dc.subject.classhort10216de
dc.subject.classhort20900de
dc.subject.classhort10700de
dc.subject.classhort10200de
internal.pdf.validfalse
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse
ssoar.urn.registrationfalsede


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