dc.contributor.author | Brunssen, Pavel | de |
dc.contributor.author | Markovits, Andrei S. | de |
dc.date.accessioned | 2024-07-04T13:19:10Z | |
dc.date.available | 2024-07-04T13:19:10Z | |
dc.date.issued | 2024 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/94907 | |
dc.language | en | de |
dc.subject.ddc | Sozialwissenschaften, Soziologie | de |
dc.subject.ddc | Social sciences, sociology, anthropology | en |
dc.subject.other | Soccer; MLS; Messi; Fußball; Sportsoziologie; Sportinvestment; Frauenfußball; Frauen-Bundesliga; Football; Europa-Meisterschaft; Kultur & Medien | de |
dc.title | Soccer in America: From Pele’s Periphery to Messi’s Semi-Periphery! But Will There Be an Entry into Football’s Core? | de |
dc.description.review | begutachtet | de |
dc.description.review | reviewed | en |
dc.identifier.url | https://www.soziopolis.de/soccer-in-america-from-peles-periphery-to-messis-semi-periphery-but-will-there-be-an-entry-into-footballs-core.pdf | de |
dc.source.journal | Soziopolis: Gesellschaft beobachten | |
dc.publisher.country | DEU | de |
dc.subject.classoz | Freizeitforschung, Freizeitsoziologie | de |
dc.subject.classoz | Leisure Research | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-94907-5 | |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
ssoar.contributor.institution | HIS | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
internal.identifier.classoz | 20400 | |
internal.identifier.journal | 1401 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 300 | |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 2 | |
internal.dda.reference | excel-database-146@@Soziopolis;article%%11 | |