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[monograph]

dc.contributor.authorSchulze, Katjade
dc.date.accessioned2024-03-20T10:41:40Z
dc.date.available2024-03-20T10:41:40Z
dc.date.issued2022de
dc.identifier.isbn978-3-8394-6260-7de
dc.identifier.issn2747-4380de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/93217
dc.description.abstractVituperation, disparagement, and debasement seem to have become part of the mainstream discourse in contemporary US-American media culture. Zooming in on a distinct televisual comedy genre, Katja Schulze explores the formal principles, media-specific realizations, and the cultural work of disparagement in contemporary female-led situation comedies. Subsequently, larger patterns of (gender-based) invective strategies and conventions that define the dynamism of this comedic genre come into view. Her study outlines case studies of popular sitcoms, like Parks and Recreation, Mike & Molly, and the revival of hit-sitcom Roseanne, thereby unearthing how the shows are able to stage humor as mass-mediated deprecation - a signifying practice with its own poetics and politics.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.otherTelevision; Sitcom; US Popular Culture; Disparagement; American Studies; America; Literary Studiesde
dc.titleThe Poetics and Politics of Invective Humor: Disparagement in Contemporary Female-Led US Sitcomsde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839462607.pdfde
dc.source.volume39de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesAmerican Culture Studies
dc.subject.classozRundfunk, Telekommunikationde
dc.subject.classozBroadcasting, Telecommunicationen
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozKulturde
dc.subject.thesozcultureen
dc.subject.thesozPopkulturde
dc.subject.thesozpop cultureen
dc.subject.thesozHumorde
dc.subject.thesozhumoren
dc.subject.thesozFernsehende
dc.subject.thesoztelevisionen
dc.subject.thesozUSAde
dc.subject.thesozUnited States of Americaen
dc.identifier.urnurn:nbn:de:0168-ssoar-93217-3
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10035991
internal.identifier.thesoz10035153
internal.identifier.thesoz10048286
internal.identifier.thesoz10046947
internal.identifier.thesoz10043435
internal.identifier.thesoz10041244
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo264de
internal.identifier.classoz1080401
internal.identifier.classoz39900
internal.identifier.document20
internal.identifier.ddc070
internal.identifier.ddc100
dc.identifier.doihttps://doi.org/10.14361/9783839462607de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review2
internal.identifier.series2014
internal.dda.referencexmlxslt-bundlessource-318@@10039-9783839462607


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