dc.contributor.author | Schulze, Katja | de |
dc.date.accessioned | 2024-03-20T10:41:40Z | |
dc.date.available | 2024-03-20T10:41:40Z | |
dc.date.issued | 2022 | de |
dc.identifier.isbn | 978-3-8394-6260-7 | de |
dc.identifier.issn | 2747-4380 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/93217 | |
dc.description.abstract | Vituperation, disparagement, and debasement seem to have become part of the mainstream discourse in contemporary US-American media culture. Zooming in on a distinct televisual comedy genre, Katja Schulze explores the formal principles, media-specific realizations, and the cultural work of disparagement in contemporary female-led situation comedies. Subsequently, larger patterns of (gender-based) invective strategies and conventions that define the dynamism of this comedic genre come into view. Her study outlines case studies of popular sitcoms, like Parks and Recreation, Mike & Molly, and the revival of hit-sitcom Roseanne, thereby unearthing how the shows are able to stage humor as mass-mediated deprecation - a signifying practice with its own poetics and politics. | de |
dc.language | en | de |
dc.publisher | transcript Verlag | de |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Philosophie | de |
dc.subject.ddc | Philosophy | en |
dc.subject.other | Television; Sitcom; US Popular Culture; Disparagement; American Studies; America; Literary Studies | de |
dc.title | The Poetics and Politics of Invective Humor: Disparagement in Contemporary Female-Led US Sitcoms | de |
dc.description.review | begutachtet | de |
dc.description.review | reviewed | en |
dc.identifier.url | https://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839462607.pdf | de |
dc.source.volume | 39 | de |
dc.publisher.country | DEU | de |
dc.publisher.city | Bielefeld | de |
dc.source.series | American Culture Studies | |
dc.subject.classoz | Rundfunk, Telekommunikation | de |
dc.subject.classoz | Broadcasting, Telecommunication | en |
dc.subject.classoz | sonstige Geisteswissenschaften | de |
dc.subject.classoz | Other Fields of Humanities | en |
dc.subject.thesoz | Literatur | de |
dc.subject.thesoz | literature | en |
dc.subject.thesoz | Kultur | de |
dc.subject.thesoz | culture | en |
dc.subject.thesoz | Popkultur | de |
dc.subject.thesoz | pop culture | en |
dc.subject.thesoz | Humor | de |
dc.subject.thesoz | humor | en |
dc.subject.thesoz | Fernsehen | de |
dc.subject.thesoz | television | en |
dc.subject.thesoz | USA | de |
dc.subject.thesoz | United States of America | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-93217-3 | |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
ssoar.contributor.institution | transcript Verlag | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10035991 | |
internal.identifier.thesoz | 10035153 | |
internal.identifier.thesoz | 10048286 | |
internal.identifier.thesoz | 10046947 | |
internal.identifier.thesoz | 10043435 | |
internal.identifier.thesoz | 10041244 | |
dc.type.stock | monograph | de |
dc.type.document | Monographie | de |
dc.type.document | monograph | en |
dc.source.pageinfo | 264 | de |
internal.identifier.classoz | 1080401 | |
internal.identifier.classoz | 39900 | |
internal.identifier.document | 20 | |
internal.identifier.ddc | 070 | |
internal.identifier.ddc | 100 | |
dc.identifier.doi | https://doi.org/10.14361/9783839462607 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 2 | |
internal.identifier.series | 2014 | |
internal.dda.reference | xmlxslt-bundlessource-318@@10039-9783839462607 | |