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dc.contributor.authorFarnsworth, Brandonde
dc.date.accessioned2023-09-20T12:45:48Z
dc.date.available2023-09-20T12:45:48Z
dc.date.issued2020de
dc.identifier.isbn978-3-8394-5243-1de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/89181
dc.description.abstractContemporary music, like other arts, is dealing with the rise of "curators" laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otherContemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music Managementde
dc.titleCurating Contemporary Music Festivals: A New Perspective on Music's Mediationde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839452431.pdfde
dc.source.volume47de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesMusic and Sound Culture
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozMusikwissenschaftde
dc.subject.thesozmusicologyen
dc.subject.thesozFestivalde
dc.subject.thesozfestivalen
dc.subject.thesozTheaterde
dc.subject.thesoztheateren
dc.identifier.urnurn:nbn:de:0168-ssoar-89181-5
dc.rights.licenceCreative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0de
dc.rights.licenceCreative Commons - Attribution-Noncommercial-No Derivative Works 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10048153
internal.identifier.thesoz10068552
internal.identifier.thesoz10063301
internal.identifier.thesoz10057161
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo323de
internal.identifier.classoz39900
internal.identifier.classoz1080403
internal.identifier.document20
internal.identifier.ddc100
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.14361/9783839452431de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence20
internal.identifier.pubstatus1
internal.identifier.review1
internal.identifier.series2033
internal.dda.referencexmlxslt-bundlessource-256@@10039-9783839452431


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