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dc.contributor.authorUtz, Christiande
dc.date.accessioned2023-08-31T13:00:53Z
dc.date.available2023-08-31T13:00:53Z
dc.date.issued2021de
dc.identifier.isbn978-3-8394-5095-6de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/88839
dc.description.abstractSince the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcSozialwissenschaften, Soziologiede
dc.subject.ddcSocial sciences, sociology, anthropologyen
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.otherContemporary Music; 20th Century; Transnationalism; Entangled Histories; Korea; Interculturalismde
dc.titleMusical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Centuryde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839450956.pdfde
dc.source.volume43de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesMusik und Klangkultur
dc.subject.classozEthnologie, Kulturanthropologie, Ethnosoziologiede
dc.subject.classozEthnology, Cultural Anthropology, Ethnosociologyen
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.thesozGlobalisierungde
dc.subject.thesozglobalizationen
dc.subject.thesozAsiende
dc.subject.thesozAsiaen
dc.subject.thesozChinade
dc.subject.thesozChinaen
dc.subject.thesozJapande
dc.subject.thesozJapanen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozMusikwissenschaftde
dc.subject.thesozmusicologyen
dc.subject.thesozKulturwissenschaftde
dc.subject.thesozcultural studiesen
dc.subject.thesozKulturgeschichtede
dc.subject.thesozcultural historyen
dc.subject.thesozNordkoreade
dc.subject.thesozNorth Koreaen
dc.subject.thesozSüdkoreade
dc.subject.thesozSouth Koreaen
dc.identifier.urnurn:nbn:de:0168-ssoar-88839-6
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10047868
internal.identifier.thesoz10036843
internal.identifier.thesoz10040272
internal.identifier.thesoz10048140
internal.identifier.thesoz10048153
internal.identifier.thesoz10068552
internal.identifier.thesoz10042839
internal.identifier.thesoz10045212
internal.identifier.thesoz10042338
internal.identifier.thesoz10049780
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo527de
internal.identifier.classoz10400
internal.identifier.classoz39900
internal.identifier.document20
internal.identifier.ddc300
internal.identifier.ddc100
dc.identifier.doihttps://doi.org/10.14361/9783839450956de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review2
internal.identifier.series1994
internal.dda.referencexmlxslt-bundlessource-231@@10039-9783839450956


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