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[journal article]

dc.contributor.authorGoh, Yi Shengde
dc.contributor.authorTeh, Pek Yende
dc.date.accessioned2023-04-20T10:23:35Z
dc.date.available2023-04-20T10:23:35Z
dc.date.issued2022de
dc.identifier.issn2791-531Xde
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/86389
dc.description.abstractFestivals play a vital role in catalyzing inclusive development through their ability to in-crease social capital. They can enhance social ties through creating shared knowledge, building trust, and forming networks. In the Malaysian context, few studies have been done on how festivals promote inclusive development. Hence, this paper seeks to present a case study on Pangkor Island Festival (PIF), which is a Malaysian arts and culture festival, concerning the process, opportunities, and challenges of inclusive development from the perspectives of the festival organizer. In-depth interviews with the festival organizer and curator and field observations were conducted. Findings show that festivals promote inclusive development through a five-phase process, from establishing relationships with residents and exploring local assets to the sustainability of PIF and inclusive development. This study also suggests three-fold opportunities that include community cohesiveness, revitalization, and cultural value restoration as well as challenges of securing suitable stakeholders.de
dc.languageende
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.otherFestivals; Inclusive Development; Malaysia; Participation Typology; Salad Bowl Theoryde
dc.titleFestivals and the Theory of Inclusive Development in Malaysia: Perspectives from a Festival Organizerde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.identifier.urlhttps://aseas.univie.ac.at/index.php/aseas/article/view/7181/7809de
dc.source.journalASEAS - Advances in Southeast Asian Studies
dc.source.volume15de
dc.publisher.countryAUTde
dc.source.issue2de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.rights.licenceCreative Commons - Attribution-Noncommercial-No Derivative Works 4.0en
dc.rights.licenceCreative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0de
internal.statusformal und inhaltlich fertig erschlossende
dc.type.stockarticlede
dc.type.documentjournal articleen
dc.type.documentZeitschriftenartikelde
dc.source.pageinfo295-307de
internal.identifier.classoz10216
internal.identifier.journal2444
internal.identifier.document32
internal.identifier.ddc301
dc.identifier.doihttps://doi.org/10.14764/10.ASEAS-0081de
dc.description.pubstatusPublished Versionen
dc.description.pubstatusVeröffentlichungsversionde
internal.identifier.licence20
internal.identifier.pubstatus1
internal.identifier.review2
internal.dda.referencehttps://aseas.univie.ac.at/index.php/aseas/oai/@@oai:journals.univie.ac.at:article/7181
ssoar.urn.registrationfalsede


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