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dc.contributor.authorRoces, Minade
dc.date.accessioned2022-06-29T12:59:41Z
dc.date.available2022-06-29T12:59:41Z
dc.date.issued2022de
dc.identifier.issn2566-6878de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/79696
dc.description.abstractSingaporean female employers subject their Filipina domestic workers to strict rules governing their dress and behaviour, in the name of de-sexualising them and maintaining their status as invisible servants at the employers' beck and call. This paper suggests that the fashionable attire that Filipina domestic workers don for their day off is also a symbol of rebellion and a rejection of their employers' desires to render them plain and unattractive. In this sense, fashion is more than just a coping strategy: it is a way of expressing a sexual self, a beautiful and feminine self that is not allowed to be exhibited during workdays. Although these fashion makeovers only last less than 24 hours, in their leisure time Filipina domestic workers transgress the weekday restrictions of their employers while marking their own personal self-transformation as ultra-modern, independent women with consumer power and cosmopolitan tastes.de
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSozialwissenschaften, Soziologiede
dc.subject.ddcSocial sciences, sociology, anthropologyen
dc.subject.otherSingapore; Philippines; migration; domestic workers; cultural capital; beauty contests; dress; self-transformationde
dc.titleSunday Cinderellas: Dress and the Self-Transformation of Filipina Domestic Workers in Singapore, 1990s-2017de
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://hasp.ub.uni-heidelberg.de/journals/iqas/article/view/18828de
dc.source.journalInternational Quarterly for Asian Studies (IQAS)
dc.source.volume53de
dc.publisher.countryDEUde
dc.source.issue1de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozFrauen- und Geschlechterforschungde
dc.subject.classozWomen's Studies, Feminist Studies, Gender Studiesen
dc.rights.licenceCreative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0de
dc.rights.licenceCreative Commons - Attribution-Noncommercial-No Derivative Works 4.0en
internal.statusformal und inhaltlich fertig erschlossende
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo121-142de
internal.identifier.classoz10216
internal.identifier.classoz20200
internal.identifier.journal2245
internal.identifier.document32
internal.identifier.ddc301
internal.identifier.ddc300
dc.source.issuetopicDress as Symbolic Resistance in Asiade
dc.identifier.doihttps://doi.org/10.11588/iqas.2022.1.18828de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence20
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://crossasia-journals.ub.uni-heidelberg.de/index.php/iqas/oai@@oai:ojs.crossasia-journals.ub.uni-heidelberg.de:article/18828
ssoar.urn.registrationfalsede


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