dc.contributor.author | Coppenrath, Florian | de |
dc.date.accessioned | 2022-01-27T07:31:49Z | |
dc.date.available | 2022-01-27T07:31:49Z | |
dc.date.issued | 2021 | de |
dc.identifier.issn | 2191-3897 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/77001 | |
dc.description.abstract | Digitalised music production and the rise of music streaming platforms shape music markets worldwide. Whereas in Western Europe and North America, the age of streaming has also been criticised for a casualisation of musical labour, in peripheral music economies like Kyrgyzstan it participates in structuring a market for music makers. At the same time, digitalisation also tends to reproduce global inequalities. Based on the case of hip-hop music production in Bishkek, Kyrgyzstan, the present working paper examines how the 'age of streaming' affects the musical production and the dreams and ambitions of music workers. | de |
dc.language | en | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | musical labour; digitalisation of music; music streaming; translocality | de |
dc.title | Dreams of 'shooting out': hip-hop music production in Bishkek in the age of streaming | de |
dc.description.review | begutachtet | de |
dc.description.review | reviewed | en |
dc.source.volume | 30 | de |
dc.publisher.country | DEU | de |
dc.publisher.city | Berlin | de |
dc.source.series | ZMO Working Papers | |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.classoz | interaktive, elektronische Medien | de |
dc.subject.classoz | Interactive, electronic Media | en |
dc.subject.thesoz | Kirgisistan | de |
dc.subject.thesoz | Kyrgyzstan | en |
dc.subject.thesoz | Hip-Hop | de |
dc.subject.thesoz | hip hop | en |
dc.subject.thesoz | Rap | de |
dc.subject.thesoz | rap | en |
dc.subject.thesoz | Musik | de |
dc.subject.thesoz | music | en |
dc.subject.thesoz | Digitalisierung | de |
dc.subject.thesoz | digitalization | en |
dc.subject.thesoz | Internet | de |
dc.subject.thesoz | Internet | en |
dc.subject.thesoz | Musiker | de |
dc.subject.thesoz | musician | en |
dc.identifier.urn | urn:nbn:de:101:1-2021111012184045220734 | de |
dc.rights.licence | Deposit Licence - Keine Weiterverbreitung, keine Bearbeitung | de |
dc.rights.licence | Deposit Licence - No Redistribution, No Modifications | en |
ssoar.contributor.institution | ZMO | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10042363 | |
internal.identifier.thesoz | 10083509 | |
internal.identifier.thesoz | 10084322 | |
internal.identifier.thesoz | 10048153 | |
internal.identifier.thesoz | 10063943 | |
internal.identifier.thesoz | 10040528 | |
internal.identifier.thesoz | 10050160 | |
dc.type.stock | monograph | de |
dc.type.document | Arbeitspapier | de |
dc.type.document | working paper | en |
dc.source.pageinfo | 16 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.classoz | 1080404 | |
internal.identifier.document | 3 | |
dc.contributor.corporateeditor | Leibniz-Zentrum Moderner Orient (ZMO) | |
internal.identifier.corporateeditor | 957 | |
internal.identifier.ddc | 301 | |
internal.identifier.ddc | 070 | |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 3 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 2 | |
internal.identifier.series | 677 | |
ssoar.wgl.collection | true | de |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |