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[working paper]

dc.contributor.authorCoppenrath, Floriande
dc.date.accessioned2022-01-27T07:31:49Z
dc.date.available2022-01-27T07:31:49Z
dc.date.issued2021de
dc.identifier.issn2191-3897de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/77001
dc.description.abstractDigitalised music production and the rise of music streaming platforms shape music markets worldwide. Whereas in Western Europe and North America, the age of streaming has also been criticised for a casualisation of musical labour, in peripheral music economies like Kyrgyzstan it participates in structuring a market for music makers. At the same time, digitalisation also tends to reproduce global inequalities. Based on the case of hip-hop music production in Bishkek, Kyrgyzstan, the present working paper examines how the 'age of streaming' affects the musical production and the dreams and ambitions of music workers.de
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.othermusical labour; digitalisation of music; music streaming; translocalityde
dc.titleDreams of 'shooting out': hip-hop music production in Bishkek in the age of streamingde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.source.volume30de
dc.publisher.countryDEUde
dc.publisher.cityBerlinde
dc.source.seriesZMO Working Papers
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozinteraktive, elektronische Mediende
dc.subject.classozInteractive, electronic Mediaen
dc.subject.thesozKirgisistande
dc.subject.thesozKyrgyzstanen
dc.subject.thesozHip-Hopde
dc.subject.thesozhip hopen
dc.subject.thesozRapde
dc.subject.thesozrapen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozDigitalisierungde
dc.subject.thesozdigitalizationen
dc.subject.thesozInternetde
dc.subject.thesozInterneten
dc.subject.thesozMusikerde
dc.subject.thesozmusicianen
dc.identifier.urnurn:nbn:de:101:1-2021111012184045220734de
dc.rights.licenceDeposit Licence - Keine Weiterverbreitung, keine Bearbeitungde
dc.rights.licenceDeposit Licence - No Redistribution, No Modificationsen
ssoar.contributor.institutionZMOde
internal.statusformal und inhaltlich fertig erschlossende
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internal.identifier.thesoz10050160
dc.type.stockmonographde
dc.type.documentArbeitspapierde
dc.type.documentworking paperen
dc.source.pageinfo16de
internal.identifier.classoz10216
internal.identifier.classoz1080404
internal.identifier.document3
dc.contributor.corporateeditorLeibniz-Zentrum Moderner Orient (ZMO)
internal.identifier.corporateeditor957
internal.identifier.ddc301
internal.identifier.ddc070
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence3
internal.identifier.pubstatus1
internal.identifier.review2
internal.identifier.series677
ssoar.wgl.collectiontruede
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse


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