dc.contributor.author | Zeilinger, Martin | de |
dc.date.accessioned | 2021-08-10T10:04:33Z | |
dc.date.available | 2021-08-10T10:04:33Z | |
dc.date.issued | 2021 | de |
dc.identifier.isbn | 978-3-95796-184-6 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/74298 | |
dc.description.abstract | How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. | de |
dc.language | en | de |
dc.publisher | meson press | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.other | Authorship; Capital; Creative Agency; Intellectual Property Law; Ownership; Posthumanism | de |
dc.title | Tactical Entanglements: AI Art, Creative Agency, and the Limits of Intellectual Property | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.publisher.country | DEU | de |
dc.publisher.city | Lüneburg | de |
dc.subject.classoz | Wissenschaftssoziologie, Wissenschaftsforschung, Technikforschung, Techniksoziologie | de |
dc.subject.classoz | Sociology of Science, Sociology of Technology, Research on Science and Technology | en |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.thesoz | Kunst | de |
dc.subject.thesoz | art | en |
dc.subject.thesoz | Kreativität | de |
dc.subject.thesoz | creativity | en |
dc.subject.thesoz | künstliche Intelligenz | de |
dc.subject.thesoz | artificial intelligence | en |
dc.subject.thesoz | geistiges Eigentum | de |
dc.subject.thesoz | intellectual property | en |
dc.rights.licence | Creative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-ShareAlike 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10039299 | |
internal.identifier.thesoz | 10041185 | |
internal.identifier.thesoz | 10043031 | |
internal.identifier.thesoz | 10041549 | |
dc.type.stock | monograph | de |
dc.type.document | Monographie | de |
dc.type.document | monograph | en |
dc.source.pageinfo | 186 | de |
internal.identifier.classoz | 10220 | |
internal.identifier.classoz | 10216 | |
internal.identifier.document | 20 | |
internal.identifier.ddc | 301 | |
dc.identifier.doi | https://doi.org/10.14619/1839 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 24 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.wellformed | true | |
internal.pdf.ocr | null Page_2 Page_34 Page_58 Page_78 Page_116 Page_136 | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |