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%T Celebrating Imperfection through Perfect Images: Guillermo del Toro's Work
%A Roche, Hayley Arizona
%J Studies in Arts and Humanities
%N 2
%P 80-93
%V 5
%D 2019
%K Del Toro, Guillermo, 1964-; Horror & supernatural fiction; Identity; Intertextuality; Motion pictures; Transnational communication and critical/cultural studies
%@ 2009-8278
%U http://sahjournal.com/index.php/sah/article/view/184
%X This piece examines the most recent work of the acclaimed Mexican director Guillermo del Toro, focusing on his use of intertextuality, self-referentiality and subversion as stylistic elements that to simultaneously critique and celebrate cinema Through his unique visual aesthetics and mastering of the mise-en-scène, del Toro explores themes of identity, displacement and humanity Famed for his use of ‘monster-as-metaphor’ narratives, his work is rich in cinematic language and iconography that acts as both an homage to his idols and inspiration for his fans.Del Toro acts as a film historian, a bibliophile, a critic and a fan, championing those on the edges of society while rejoicing in his Mexican heritage.
%C MISC
%G en
%9 journal article
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info