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%T Celebrating Imperfection through Perfect Images: Guillermo del Toro's Work %A Roche, Hayley Arizona %J Studies in Arts and Humanities %N 2 %P 80-93 %V 5 %D 2019 %K Del Toro, Guillermo, 1964-; Horror & supernatural fiction; Identity; Intertextuality; Motion pictures; Transnational communication and critical/cultural studies %@ 2009-8278 %U http://sahjournal.com/index.php/sah/article/view/184 %X This piece examines the most recent work of the acclaimed Mexican director Guillermo del Toro, focusing on his use of intertextuality, self-referentiality and subversion as stylistic elements that to simultaneously critique and celebrate cinema Through his unique visual aesthetics and mastering of the mise-en-scène, del Toro explores themes of identity, displacement and humanity Famed for his use of ‘monster-as-metaphor’ narratives, his work is rich in cinematic language and iconography that acts as both an homage to his idols and inspiration for his fans.Del Toro acts as a film historian, a bibliophile, a critic and a fan, championing those on the edges of society while rejoicing in his Mexican heritage. %C MISC %G en %9 journal article %W GESIS - http://www.gesis.org %~ SSOAR - http://www.ssoar.info