dc.contributor.author | Roche, Hayley Arizona | de |
dc.date.accessioned | 2021-07-08T11:51:05Z | |
dc.date.available | 2021-07-08T11:51:05Z | |
dc.date.issued | 2019 | de |
dc.identifier.issn | 2009-8278 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/73789 | |
dc.description.abstract | This piece examines the most recent work of the acclaimed Mexican director Guillermo del Toro, focusing on his use of intertextuality, self-referentiality and subversion as stylistic elements that to simultaneously critique and celebrate cinema Through his unique visual aesthetics and mastering of the mise-en-scène, del Toro explores themes of identity, displacement and humanity Famed for his use of ‘monster-as-metaphor’ narratives, his work is rich in cinematic language and iconography that acts as both an homage to his idols and inspiration for his fans.Del Toro acts as a film historian, a bibliophile, a critic and a fan, championing those on the edges of society while rejoicing in his Mexican heritage. | de |
dc.language | en | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.other | Del Toro, Guillermo, 1964-; Horror & supernatural fiction; Identity; Intertextuality; Motion pictures; Transnational communication and critical/cultural studies | de |
dc.title | Celebrating Imperfection through Perfect Images: Guillermo del Toro's Work | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.identifier.url | http://sahjournal.com/index.php/sah/article/view/184 | de |
dc.source.journal | Studies in Arts and Humanities | |
dc.source.volume | 5 | de |
dc.publisher.country | MISC | de |
dc.source.issue | 2 | de |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Other Media | en |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works 4.0 | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0 | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
dc.type.stock | article | de |
dc.type.document | journal article | en |
dc.type.document | Zeitschriftenartikel | de |
dc.source.pageinfo | 80-93 | de |
internal.identifier.classoz | 1080403 | |
internal.identifier.journal | 1504 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.18193/sah.v5i2.184 | de |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 20 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.dda.reference | http://sahjournal.com/index.php/sah/oai/@@oai:ojs.sahjournal.com:article/184 | |
ssoar.urn.registration | false | de |