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%T Butler leitora de Beauvoir: o gênero como ato performativo
%A Warmling, Diego Luiz
%J Griot: Revista de Filosofia
%N 3
%P 16-38
%V 20
%D 2020
%K performative acts
%@ 2178-1036
%> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-71025-9
%X Between Beauvoir and Butler, we will question whether the "becoming woman" establishes the distinction between sex  and  gender,  becoming  a  mode  of  acculturation  that,  in  addition  to  the  anatomical  differentials,  designates  a performance in transformation. From Beauvoir, we will see: situated, subjectivity is established between civilization and  intercorporeal  relations.  Marking  the  woman  as  the second  sex,  Beauvoir  ratifies  the  ambiguity  as  a  human factor,  weaving  reflections  to  the  freedom,  oppression,  recognition  and  feminine  condition.  Of  this,  Beauvoir  is questioning that Butler interrogates the genders. By tracing the incipient use of gender in "becoming woman", Butler suggests revisions to the phenomenological notions of subject, body, situation, and sexual difference. It promotes a performative  conception  where  the  genre  is  a  constant  becoming.  It  describes  how  the  genres  are  constituted, considering that there are no ideal genres. Thus, becoming gender means that as a body we dramatize and style it. Criticism, this performance personifies a way of acting where repetition, innovation, necessity and contingency are re-signifiable.
%C BRA
%G pt
%9 journal article
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info