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%T Caricature and Egypt’s Revolution of 25 January 2011
%A Ettmüller, Eliane Ursula
%J Zeithistorische Forschungen / Studies in Contemporary History
%N 1
%P 138-148
%V 9
%D 2012
%K Alltag; Politik; Kultur; Kunst; Kommunikation; Medien; Emotionen; Visual History; Geistes- und Ideengeschichte; Intellectual History; Soziale Bewegungen; Protest; Transformation
%@ 1612-6033
%X Caricature can be defined as an art engagé which aims to transmit a social or political message. In order to achieve this goal, the satirical picture triggers an emotional reaction in the audience and guides it through a cathartic coming-of-awareness process. The feelings evoked by caricature must not necessarily be expressed through laughter; but they are a joyful or indignant shock reaction to gazing at something absurd. William A. Coupe, following Schiller, therefore defines the nature of caricature as the outcome of a dialectical struggle between the ideal and the real: ‘This conflict of ideal and real may, however, be seen and expressed in two different ways, in an emotional and serious or in a humorous and jesting fashion.’
%C DEU
%G en
%9 journal article
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info