dc.contributor.editor | Fischer, Annalisa | de |
dc.contributor.editor | Becker, Daniel | de |
dc.contributor.editor | Schmitz, Yola | de |
dc.contributor.editor | Niehoff, Simone | de |
dc.contributor.editor | Sannders, Florencia | de |
dc.date.accessioned | 2018-08-17T07:51:51Z | |
dc.date.available | 2018-08-17T07:51:51Z | |
dc.date.issued | 2018 | de |
dc.identifier.isbn | 978-3-8394-3762-9 | de |
dc.identifier.uri | http://www.transcript-verlag.de/978-3-8376-3762-5 | |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/58527 | |
dc.description.abstract | Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. | de |
dc.language | en | de |
dc.publisher | transcript Verlag | de |
dc.subject.ddc | Philosophie | de |
dc.subject.ddc | Philosophy | en |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.other | Fälschung; Original; Kunsttheorie; Pseudotranslation | de |
dc.title | Faking, forging, counterfeiting: discredited practices at the margins of mimesis | de |
dc.description.review | begutachtet | de |
dc.description.review | reviewed | en |
dc.publisher.country | DEU | |
dc.publisher.city | Bielefeld | de |
dc.source.series | Edition Kulturwissenschaft | |
dc.subject.classoz | sonstige Geisteswissenschaften | de |
dc.subject.classoz | Other Fields of Humanities | en |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.thesoz | Ästhetik | de |
dc.subject.thesoz | aesthetics | en |
dc.subject.thesoz | Kulturgeschichte | de |
dc.subject.thesoz | cultural history | en |
dc.subject.thesoz | Kulturwissenschaft | de |
dc.subject.thesoz | cultural studies | en |
dc.subject.thesoz | Tradition | de |
dc.subject.thesoz | tradition | en |
dc.subject.thesoz | Literaturwissenschaft | de |
dc.subject.thesoz | literature (discipline) | en |
dc.subject.thesoz | Identität | de |
dc.subject.thesoz | identity | en |
dc.subject.thesoz | Imitation | de |
dc.subject.thesoz | imitation | en |
dc.subject.thesoz | Literatur | de |
dc.subject.thesoz | literature | en |
dc.subject.thesoz | Medien | de |
dc.subject.thesoz | media | en |
dc.subject.thesoz | Betrug | de |
dc.subject.thesoz | fraud | en |
dc.subject.thesoz | Kunst | de |
dc.subject.thesoz | art | en |
dc.subject.thesoz | Markt | de |
dc.subject.thesoz | market | en |
dc.subject.thesoz | Kreativität | de |
dc.subject.thesoz | creativity | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-58527-7 | |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works 4.0 | en |
ssoar.contributor.institution | transcript Verlag | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10034653 | |
internal.identifier.thesoz | 10045212 | |
internal.identifier.thesoz | 10042839 | |
internal.identifier.thesoz | 10039755 | |
internal.identifier.thesoz | 10051289 | |
internal.identifier.thesoz | 10046991 | |
internal.identifier.thesoz | 10047062 | |
internal.identifier.thesoz | 10035991 | |
internal.identifier.thesoz | 10035302 | |
internal.identifier.thesoz | 10039041 | |
internal.identifier.thesoz | 10039299 | |
internal.identifier.thesoz | 10034440 | |
internal.identifier.thesoz | 10041185 | |
dc.type.stock | collection | de |
dc.type.document | Konferenzband | de |
dc.type.document | conference proceedings | en |
dc.type.document | Sammelwerk | de |
dc.type.document | collection | en |
dc.source.pageinfo | 248 | de |
internal.identifier.classoz | 39900 | |
internal.identifier.classoz | 10216 | |
internal.identifier.document | 15 | |
internal.identifier.document | 24 | |
dc.source.conference | International Conference "Faking, Forging, Counterfeiting: Discredited Practices at the Margins of Mimesis | de |
dc.event.city | München | de |
internal.identifier.ddc | 100 | |
internal.identifier.ddc | 301 | |
dc.identifier.doi | https://doi.org/10.14361/9783839437629 | de |
dc.date.conference | 2015 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 20 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 2 | |
internal.identifier.series | 1410 | |
internal.dda.reference | xmlxslt-bundlessource-80@@10039-9783839437629 | |