dc.contributor.author | Englert, Barbara | de |
dc.date.accessioned | 2018-06-25T12:28:29Z | |
dc.date.available | 2018-12-13T12:00:00Z | |
dc.date.issued | 2018 | de |
dc.identifier.issn | 0172-6404 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/57678 | |
dc.description.abstract | This essay highlights a number of Hollywood sport films from the 1970s focusing on national and personal identity issues. Against the backdrop of contemporary history, the meaning of sports and film, and its pop cultural intertwinement becomes transparent revealing a basic pattern. Aspects come into the picture which from a European perspective seem both familiar and, in a way, hidden. Besides being great entertainment, sport films like North Dallas Forty (1979), Semi-Tough (1977) or The Bad News Bears (1976) have the quality to serve as a rich and meaningful archive of visual sources for research in the humanities. | en |
dc.language | en | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Geschichte | de |
dc.subject.ddc | History | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.other | Hollywood sport films; American history; US sports; identity issues; North Dallas Forty; Semi-Tough; The Bad News Bears | de |
dc.title | The Hollywood Sports Film: Visualizing Hidden and Familiar Aspects of American Culture | de |
dc.title.alternative | Der Hollywoodsportfilm: eine Visualisierung verborgener und vertrauter Aspekte der amerikanischen Kultur | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Historical Social Research | |
dc.source.volume | 43 | de |
dc.publisher.country | DEU | |
dc.source.issue | 2 | de |
dc.subject.classoz | allgemeine Geschichte | de |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | General History | en |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | Zeitgeist | de |
dc.subject.thesoz | sports | en |
dc.subject.thesoz | Zeitgeist | en |
dc.subject.thesoz | Sport | de |
dc.subject.thesoz | identity | en |
dc.subject.thesoz | Zeitgeschichte | de |
dc.subject.thesoz | USA | de |
dc.subject.thesoz | Identität | de |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | pop culture | en |
dc.subject.thesoz | Popkultur | de |
dc.subject.thesoz | contemporary history | en |
dc.subject.thesoz | United States of America | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-57678-6 | |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
ssoar.contributor.institution | GESIS | de |
internal.identifier.thesoz | 10062096 | |
internal.identifier.thesoz | 10046991 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10045214 | |
internal.identifier.thesoz | 10041244 | |
internal.identifier.thesoz | 10048286 | |
internal.identifier.thesoz | 10037217 | |
dc.type.stock | article | |
dc.source.pageinfo | 165-180 | de |
internal.identifier.classoz | 30301 | |
internal.identifier.classoz | 1080403 | |
internal.identifier.journal | 152 | |
internal.identifier.ddc | 070 | |
internal.identifier.ddc | 900 | |
dc.source.issuetopic | Visualities - Sports, Bodies, and Visual Sources | de |
dc.identifier.doi | https://doi.org/10.12759/hsr.43.2018.2.165-180 | de |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
dc.subject.classhort | 30300 | de |
dc.subject.classhort | 10200 | de |
internal.embargo.terms | 2018-12-13 | |
internal.pdf.version | 1.4 | |
internal.pdf.valid | true | |
internal.pdf.wellformed | true | |
internal.check.abstractlanguageharmonizer | CERTAIN | |
internal.check.languageharmonizer | CERTAIN_RETAINED | |