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dc.contributor.authorAziz Mohammadi, Fatemehde
dc.date.accessioned2018-06-05T07:06:02Z
dc.date.available2018-06-05T07:06:02Z
dc.date.issued2015de
dc.identifier.issn2300-2697de
dc.identifier.urihttp://www.scipress.com/ILSHS.48.133.pdf
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/57483
dc.description.abstractAngela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct reflections of the feminist movement that took place in the 1970s. The concepts within this movement relating specifically to the ideologies of radical-libertarian feminist, and regarding the extent to which she promotes feminist due to her style, referred to as "Galm-Rock" feminism. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Courtship of Mr. Lyon, The Tiger's Bride, The snow child and mainly in The Bloody chamber have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.en
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSozialwissenschaften, Soziologiede
dc.subject.ddcSocial sciences, sociology, anthropologyen
dc.subject.otherCarter, A.de
dc.titleA study of carter's The Snow Child in the light of Showalter's theoriesde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalInternational Letters of Social and Humanistic Sciences
dc.publisher.countryCHE
dc.source.issue48de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozFrauen- und Geschlechterforschungde
dc.subject.classozWomen's Studies, Feminist Studies, Gender Studiesen
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozFeminismusde
dc.subject.thesozfeminismen
dc.subject.thesozEmanzipationde
dc.subject.thesozemancipationen
dc.subject.thesozPatriarchatde
dc.subject.thesozpatriarchyen
dc.subject.thesozLiebede
dc.subject.thesozloveen
dc.subject.thesozPornographiede
dc.subject.thesozpornographyen
dc.identifier.urnurn:nbn:de:0168-ssoar-57483-7
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10035991
internal.identifier.thesoz10043409
internal.identifier.thesoz10041977
internal.identifier.thesoz10054231
internal.identifier.thesoz10044349
internal.identifier.thesoz10055021
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo133-137de
internal.identifier.classoz10216
internal.identifier.classoz20200
internal.identifier.journal1120
internal.identifier.document32
internal.identifier.ddc301
internal.identifier.ddc300
dc.identifier.doihttps://doi.org/10.18052/www.scipress.com/ILSHS.48.133de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencexml-database-54@@11
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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