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dc.contributor.authorIsmailinejad, Zahra Sadatde
dc.date.accessioned2018-05-11T14:35:06Z
dc.date.available2018-05-11T14:35:06Z
dc.date.issued2015de
dc.identifier.issn2300-2697de
dc.identifier.urihttp://www.scipress.com/ILSHS.50.68.pdf
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/57163
dc.description.abstractWesterners came to this conclusion that to dominate Orient, they should gain sufficient knowledge about them. Therefore, they established the so-called field of Orientalism to study Orient since this knowledge gave them the power to rule. Based on this type of knowledge, they thought that there were sharp contrasts and differences between Orient and Occident and they tended to gain advantage from them. The problem started when Orient internalized these notions and embraced them with open arms due to the inferiority complex that was imposed on him. Orientalist painters also took their cues from the Orientalism to reflect their governments’ ideas and politics in disguise. These paintings began in nineteenth-century and different artists from Britain, France, Italy, Germany and Spain went to the East or started to paint based on others’ paintings or description of Eastern land. The problem is that some of these painters were first-hand observers but some others let their imaginations to shape their conceptions of Orient. Here, attempts have been made to review these paintings based on Said’s book, Orientalism.en
dc.languageende
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.otherBad Orient; Orientalism; Fixity of Orients; Good Orient; Inferiority; Knowledge; Orientalized Orient; Power; Statics; Superiority; Textual Attitude; Utilitarianismde
dc.titleOrientalist Paintings and said Orientalismde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalInternational Letters of Social and Humanistic Sciences
dc.publisher.countryCHE
dc.source.issue50de
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo68-81de
internal.identifier.classoz39900
internal.identifier.journal1120
internal.identifier.document32
internal.identifier.ddc100
dc.identifier.doihttps://doi.org/10.18052/www.scipress.com/ILSHS.50.68de
dc.subject.methodsDokumentationde
dc.subject.methodsdocumentationen
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.methods3
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencexml-database-52@@8
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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