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"Enclaves autoritaires" artistiques au Chili?: art et politique dans la démocratie retrouvée
Artistic "authoritarian enclaves" in Chile?: art and politics in the rediscovered democracy
[journal article]
Abstract After more than a decade of dictatorship, Chilean arts were confronted, in 1990, to a democratic framework: the common enemy was gone; or not? In this sense, my investigation seeks to answer to two interdependent questions. Which path did the Chilean state follow so as to grant an artistic instituti... view more
After more than a decade of dictatorship, Chilean arts were confronted, in 1990, to a democratic framework: the common enemy was gone; or not? In this sense, my investigation seeks to answer to two interdependent questions. Which path did the Chilean state follow so as to grant an artistic institutional framework after authoritarianism? How did Chilean artists perceive this transformation, and how did they regard (report themselves to) the past in their works? Besides this double intention, this article seeks additionally, as its title indicates, to verify the persistence or not of "artistic authoritarian enclaves". I will verify how this formula introduced by Manuel Antonio Garretón gains a different sense if we think about it from the point of view of the relation between art and politics.... view less
Keywords
Chile; art; democracy; authoritarianism; political change; politics; consolidation; reminiscence; coming to terms with the past; historical development
Classification
Cultural Sociology, Sociology of Art, Sociology of Literature
Document language
French
Publication Year
2008
Page/Pages
p. 869-888
Journal
Studia Politica: Romanian Political Science Review, 8 (2008) 4
ISSN
1582-4551
Status
Published Version; peer reviewed
Licence
Creative Commons - Attribution-Noncommercial-No Derivative Works 1.0