dc.contributor.author | Pintilie, Ileana | de |
dc.date.accessioned | 2018-02-15T09:25:33Z | |
dc.date.available | 2018-02-15T09:25:33Z | |
dc.date.issued | 2017 | de |
dc.identifier.issn | 1582-4551 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/55935 | |
dc.description.abstract | This article discusses the case of Ion Grigorescu, and of his ambiguous relationship with the communist regime, which he registered through a form of "documentary realism". Through his "realgrams" Grigorescu documented real life experiences in an innovatory approach to the majority of Romanian artists of the time using photographs of his everyday environment, and being inspired by his social and political context. Grigorescu is thus an artist committed to the public space and assuming a critical stance without it being discursive, pedant or moralizing. The approach of this study is descriptive, based on the artists' artworks and self-descriptions, and seeking to situate Grigorescu's approach in the context of the communist regime and its transformation after 1990 into a democratic regime. The conclusions show that Grigorescu's artworks are anti-system, criticizing any establishment, no matter in which regime he finds himself. His contestation is specific to a committed artist that chooses to express his freedom of expression beyond his own studio. | en |
dc.language | ro | |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.title | Artă în spațiul public sau artă pentru sine: ipostaze ale artistului Ion Grigorescu în epoca comunistă și posttotalitară | de |
dc.title.alternative | Art in the public space or art for oneself: hypostases of the artist Ion Grigorescu during communism and the post-totalitarian period | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Studia Politica: Romanian Political Science Review | |
dc.source.volume | 17 | de |
dc.publisher.country | MISC | |
dc.source.issue | 3 | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.thesoz | Sozialismus | de |
dc.subject.thesoz | socialism | en |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | Subversion | de |
dc.subject.thesoz | subversion | en |
dc.subject.thesoz | Rumänien | de |
dc.subject.thesoz | Romania | en |
dc.subject.thesoz | Kunst | de |
dc.subject.thesoz | art | en |
dc.subject.thesoz | Öffentlichkeit | de |
dc.subject.thesoz | the public | en |
dc.subject.thesoz | Künstler | de |
dc.subject.thesoz | artist | en |
dc.subject.thesoz | Kritik | de |
dc.subject.thesoz | criticism | en |
dc.subject.thesoz | Dokumentation | de |
dc.subject.thesoz | documentation | en |
dc.subject.thesoz | Realismus | de |
dc.subject.thesoz | realism | en |
dc.subject.thesoz | politisches Regime | de |
dc.subject.thesoz | political regime | en |
dc.subject.thesoz | Kulturpolitik | de |
dc.subject.thesoz | cultural policy | en |
dc.subject.thesoz | Opposition | de |
dc.subject.thesoz | opposition | en |
dc.subject.thesoz | Fotografie | de |
dc.subject.thesoz | photography | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-55935-5 | |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 1.0 | de |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works 1.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10040693 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10059718 | |
internal.identifier.thesoz | 10056959 | |
internal.identifier.thesoz | 10039299 | |
internal.identifier.thesoz | 10051413 | |
internal.identifier.thesoz | 10039305 | |
internal.identifier.thesoz | 10043611 | |
internal.identifier.thesoz | 10040538 | |
internal.identifier.thesoz | 10056010 | |
internal.identifier.thesoz | 10065654 | |
internal.identifier.thesoz | 10037462 | |
internal.identifier.thesoz | 10037410 | |
internal.identifier.thesoz | 10039309 | |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 399-415 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.journal | 1131 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 301 | |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 17 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.version | 1.5 | |
internal.pdf.valid | true | |
internal.pdf.wellformed | true | |
internal.pdf.ocr | null Page_12 | |
internal.check.abstractlanguageharmonizer | CERTAIN | |
internal.check.languageharmonizer | CERTAIN_CHANGED | |