dc.contributor.author | Lippert, Randy K. | de |
dc.contributor.author | Scalia, Jolina | de |
dc.date.accessioned | 2015-11-16T10:23:38Z | |
dc.date.available | 2015-11-16T10:23:38Z | |
dc.date.issued | 2015 | de |
dc.identifier.issn | 2183-2439 | de |
dc.identifier.uri | http://www.ssoar.info/ssoar/handle/document/45342 | |
dc.description.abstract | This article examines video surveillance images in Hollywood film. It moves beyond previous accounts of video surveillance in relation to film by theoretically situating the use of these surveillance images in a broader "surveillant assemblage". To this end, scenes from a sample of thirty-five (35) films of several genres are examined to discern dominant discourses and how they lend themselves to normalization of video surveillance. Four discourses are discovered and elaborated by providing examples from Hollywood films. While the films provide video surveillance with a positive associative association it is not without nuance and limitations. Thus, it is found that some forms of resistance to video surveillance are shown while its deterrent effect is not. It is ultimately argued that Hollywood film is becoming attached to a video surveillant assemblage discursively through these normalizing discourses as well as structurally to the extent actual video surveillance technology to produce the images is used. | en |
dc.language | en | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.title | Attaching Hollywood to a surveillant assemblage: normalizing discourses of video surveillance | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.identifier.url | http://www.cogitatiopress.com/ojs/index.php/mediaandcommunication/article/view/286 | de |
dc.source.journal | Media and Communication | |
dc.source.volume | 3 | de |
dc.publisher.country | MISC | |
dc.source.issue | 3 | de |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | USA | de |
dc.subject.thesoz | Überwachung | de |
dc.subject.thesoz | Video | de |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | video | en |
dc.subject.thesoz | normalization | en |
dc.subject.thesoz | United States of America | en |
dc.subject.thesoz | Normalisierung | de |
dc.subject.thesoz | monitoring | en |
dc.rights.licence | Creative Commons - Namensnennung | de |
dc.rights.licence | Creative Commons - Attribution | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10061598 | |
internal.identifier.thesoz | 10053347 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10060511 | |
internal.identifier.thesoz | 10041244 | |
dc.type.stock | article | de |
dc.type.document | journal article | en |
dc.type.document | Zeitschriftenartikel | de |
dc.source.pageinfo | 26-38 | de |
internal.identifier.classoz | 1080403 | |
internal.identifier.journal | 793 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 070 | |
dc.source.issuetopic | Surveillance: critical analysis and current challenges (part II) | de |
dc.identifier.doi | https://doi.org/10.17645/mac.v3i3.286 | de |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 1 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
dc.description.misc | mediaandcommunication-286 | de |
dc.subject.classhort | 10800 | de |
internal.check.abstractlanguageharmonizer | CERTAIN | |