dc.contributor.author | Giancarlo, Nicoli | de |
dc.date.accessioned | 2015-02-18T12:18:00Z | |
dc.date.available | 2015-02-18T12:18:00Z | |
dc.date.issued | 2013 | de |
dc.identifier.issn | 2345-1041 | de |
dc.identifier.uri | http://www.ssoar.info/ssoar/handle/document/41889 | |
dc.description.abstract | Pier Paolo Pasolini was one of the most controversial Italian authors of the second half of the 20th century. A very particular character in the cultural and literary Italian world, he played an important and critical part in a society tending to a total homologation. Pier Paolo Pasolini spread a radical censure against the consumers’ culture and the social homologation. However, in his literary and cinematographic work, beside a hard realism by which he presented his cultural denunciation, it’s evident – perhaps in a contradictory way – an attempt to mythicising the “lumpenproletariat” that represented, in his opinion, the innocence and the cultural virginity that the neo-capitalistic culture was suppressing. | en |
dc.language | it | |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.other | homologation; "lumpenproletariat"; mythicising | de |
dc.title | L'opera di Pier Paolo Pasolini tra denuncia e mitizzazione | de |
dc.title.alternative | Pier Paolo Pasolini’s Work between Denunciation and Mythicising | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Studii Europene | |
dc.publisher.country | MISC | |
dc.source.issue | 2 | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.thesoz | Italy | en |
dc.subject.thesoz | capitalism | en |
dc.subject.thesoz | Kapitalismus | de |
dc.subject.thesoz | Denunziation | de |
dc.subject.thesoz | Gesellschaft | de |
dc.subject.thesoz | Realismus | de |
dc.subject.thesoz | denunciation | en |
dc.subject.thesoz | society | en |
dc.subject.thesoz | consumption | en |
dc.subject.thesoz | Italien | de |
dc.subject.thesoz | culture | en |
dc.subject.thesoz | Konsum | de |
dc.subject.thesoz | Proletariat | de |
dc.subject.thesoz | Kultur | de |
dc.subject.thesoz | realism | en |
dc.subject.thesoz | proletariat | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-418897 | |
dc.rights.licence | Deposit Licence - Keine Weiterverbreitung, keine Bearbeitung | de |
dc.rights.licence | Deposit Licence - No Redistribution, No Modifications | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10035153 | |
internal.identifier.thesoz | 10055468 | |
internal.identifier.thesoz | 10034805 | |
internal.identifier.thesoz | 10056010 | |
internal.identifier.thesoz | 10035781 | |
internal.identifier.thesoz | 10048114 | |
internal.identifier.thesoz | 10035058 | |
internal.identifier.thesoz | 10045129 | |
dc.type.stock | article | de |
dc.type.document | journal article | en |
dc.type.document | Zeitschriftenartikel | de |
dc.source.pageinfo | 106-110 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.journal | 646 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 301 | |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 3 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
dc.subject.classhort | 10500 | de |
internal.pdf.version | 1.5 | |
internal.pdf.valid | true | |
internal.pdf.wellformed | true | |
internal.check.abstractlanguageharmonizer | CERTAIN | |
internal.check.languageharmonizer | CERTAIN_CHANGED | |