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%T Sophie Calle’s art of following and seduction %A Hand, Janet %J Cultural Geographies %N 4 %P 463-484 %V 12 %D 2005 %= 2011-03-01T07:22:00Z %~ http://www.peerproject.eu/ %> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-232545 %X This paper considers a number of artworks by contemporary French artist Sophie Calle. The focus is on a number of these that have a ‘public’ aspect. Through Calle’s work, idioms of following, documenting, seduction and love are discussed, and artistic and representational dichotomies: documentation and action are critiqued. The essay contextualizes Calle’s art through its dynamic relationships with conceptual art generally and particularly work that involves following as a performance strategy. The possibility of love’s fabrication as a dramatic means of critical art practice and analytical writing are foregrounded through encounters with Jean Baudrillard’s writings on seduction and on Calle. %G en %9 journal article %W GESIS - http://www.gesis.org %~ SSOAR - http://www.ssoar.info