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Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism
[Monographie]
Abstract How do digital media technologies affect society and our lives? Through the cultural theory hypotheses of hyper-modernism, hyperreality, and posthumanism, Alan N. Shapiro investigates the social impact of Virtual/Augmented Reality, AI, social media platforms, robots, and the Brain-Computer Interface... mehr
How do digital media technologies affect society and our lives? Through the cultural theory hypotheses of hyper-modernism, hyperreality, and posthumanism, Alan N. Shapiro investigates the social impact of Virtual/Augmented Reality, AI, social media platforms, robots, and the Brain-Computer Interface. His examination of concepts of Jean Baudrillard and Katherine Hayles, as well as films such as Blade Runner 2049, Ghost in the Shell, Ex Machina, and the TV series Black Mirror, suggests that the boundary between science fiction narratives and the »real world« has become indistinct. Science-fictional thinking should be advanced as a principal mode of knowledge for grasping the world and digitalization.... weniger
Thesaurusschlagwörter
Marxismus; Medien; Kultur; Kritische Theorie; Film; Science Fiction; Medientheorie; Digitale Medien
Klassifikation
Wissenschaftssoziologie, Wissenschaftsforschung, Technikforschung, Techniksoziologie
Freie Schlagwörter
Posthumanism; Creative Coding; Digital Cuture; Cultural Theory; Media Studies
Sprache Dokument
Englisch
Publikationsjahr
2024
Verlag
transcript Verlag
Erscheinungsort
Bielefeld
Seitenangabe
373 S.
Schriftenreihe
Digital Society, 67
DOI
https://doi.org/10.14361/9783839472422
ISSN
2702-8860
ISBN
978-3-8394-7242-2
Status
Veröffentlichungsversion; begutachtet
Lizenz
Creative Commons - Namensnennung, Nicht-kommerz., Weitergabe unter gleichen Bedingungen 4.0