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https://doi.org/10.14619/0146
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Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect
[Sammelwerk]
Abstract Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film ... mehr
Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.... weniger
Thesaurusschlagwörter
Digitalisierung; Archiv; Bild; Film; audiovisuelle Medien; Urheberrecht
Klassifikation
Information und Dokumentation, Bibliotheken, Archive
Sprache Dokument
Englisch
Publikationsjahr
2021
Verlag
meson press
Erscheinungsort
Lüneburg
Seitenangabe
143 S.
Schriftenreihe
Configurations of Film Series
ISBN
978-3-95796-014-6
Status
Veröffentlichungsversion; begutachtet (peer reviewed)
Lizenz
Creative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0