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https://doi.org/10.31977/grirfi.v20i1.1398
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Breves observações sobre a ideia de esgotamento do quadro-pintura
Brief remarks on the idea of exhaustion of the painting
[Zeitschriftenartikel]
Abstract This article starts from the analysis of Impressionism, Kazimir Malevich's abstractionism and Hélio Oiticica's penetráveis to think about the process of eliminating the edges of painting. Oiticica's thesis is that, at the moment in which she lived and acted, the painting began to do without the edge... mehr
This article starts from the analysis of Impressionism, Kazimir Malevich's abstractionism and Hélio Oiticica's penetráveis to think about the process of eliminating the edges of painting. Oiticica's thesis is that, at the moment in which she lived and acted, the painting began to do without the edges, spilling out of it and constituting itself as modus vivendi, thus eliminating the notion of an outside and one inside. With this, it defends the substitution of the spectator by the participant. We wonder if cinema, with its moving edges, is also touched by these changes. For that, we will take Cinema Novo and Cinema Marginal. Finally, we wonder if the school institution, as heir to these questions, has been inserted in this debate and what it has or would be its role. In this sense, the question remains about what to expect from this institution after the dilution of the picture (the great narratives, the modern certainties) and the historical vanguards.... weniger
Klassifikation
sonstige Geisteswissenschaften
Sprache Dokument
Portugiesisch
Publikationsjahr
2020
Seitenangabe
S. 1-16
Zeitschriftentitel
Griot: Revista de Filosofia, 20 (2020) 1
ISSN
2178-1036
Status
Veröffentlichungsversion; begutachtet (peer reviewed)