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Faking, forging, counterfeiting: discredited practices at the margins of mimesis
[Konferenzband]
Abstract Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in ... mehr
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.... weniger
Thesaurusschlagwörter
Ästhetik; Kulturgeschichte; Kulturwissenschaft; Tradition; Literaturwissenschaft; Identität; Imitation; Literatur; Medien; Betrug; Kunst; Markt; Kreativität
Klassifikation
sonstige Geisteswissenschaften
Kultursoziologie, Kunstsoziologie, Literatursoziologie
Freie Schlagwörter
Fälschung; Original; Kunsttheorie; Pseudotranslation
Konferenz
International Conference "Faking, Forging, Counterfeiting: Discredited Practices at the Margins of Mimesis. München, 2015
Sprache Dokument
Englisch
Publikationsjahr
2018
Verlag
transcript Verlag
Erscheinungsort
Bielefeld
Seitenangabe
248 S.
Schriftenreihe
Edition Kulturwissenschaft
DOI
https://doi.org/10.14361/9783839437629
ISBN
978-3-8394-3762-9
Status
Veröffentlichungsversion; begutachtet
Lizenz
Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0